The Flagellation, from The Passion of Christ, plate 13 by Grégoire Huret

The Flagellation, from The Passion of Christ, plate 13 1664

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drawing, print, engraving

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drawing

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narrative-art

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baroque

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print

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figuration

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men

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history-painting

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engraving

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christ

Dimensions Sheet: 19 1/2 × 14 1/16 in. (49.5 × 35.7 cm)

Editor: This is Gr\u00e9goire Huret's "The Flagellation, from The Passion of Christ, plate 13," an engraving from 1664. The overwhelming feeling is one of intense drama and, honestly, a bit of chaos. The composition is a mass of bodies, all swirling around the central figure of Christ. What strikes you most about the formal qualities of this print? Curator: The composition certainly directs the viewer's eye. Note how Huret uses the architecture in the background to frame the central action, creating a stage-like setting. The dramatic lighting, achieved through the intense contrasts in the engraving, further accentuates the figures and amplifies the emotional intensity. Observe also how the linear quality of the engraving contributes to a sense of frenetic energy, almost like a storm. How does this linearity impact your perception? Editor: It definitely makes the scene feel more agitated, less stable. It’s almost like the lines themselves are whipping around, mirroring the flagellation itself. Does the placement of Christ draw the viewer's focus? Curator: Undeniably. Although surrounded, Christ is set apart by the engraver’s clear modulation of light and shadow, by posture and gaze. This focal clarity underscores Christ’s physical ordeal. Note as well Huret's skill in rendering the human form; the musculature and anatomy are meticulously detailed, enhancing the realism and, consequently, the emotional impact. What elements beyond the central figure caught your eye? Editor: I hadn't really noticed them before, but now I can see other details like the figure holding the child to the left and the details in the architecture. The engraving seems to use contrasting styles in different parts of the work, like contrasting textures. Thank you for explaining those! Curator: You've highlighted a crucial aspect of Huret's engraving technique: it’s masterful employment of Baroque aesthetics. Thinking through Huret's style has enhanced my appreciation for how line work impacts visual tension.

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