Montgomery Greys, Alabama Militia, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Montgomery Greys, Alabama Militia, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes 1888

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drawing, coloured-pencil, print

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drawing

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coloured-pencil

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print

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coloured pencil

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genre-painting

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academic-art

Dimensions Sheet: 2 3/4 × 1 1/2 in. (7 × 3.8 cm)

Curator: This chromolithograph, dating to 1888, comes to us from the Kinney Brothers Tobacco Company. It depicts a member of the Montgomery Greys, an Alabama militia. The card was issued to promote Sweet Caporal Cigarettes. Editor: Oh my, what a striking character. It reminds me of a child’s tin soldier, all rigid posture and that enormous…hat, or is it a helmet? The pale blues and yellows are unexpectedly delicate, given the military subject. Curator: Indeed. Observe how the artist employs stippling throughout, building form through carefully placed dots of colour. This enhances the flat, graphic quality characteristic of mass-produced advertising prints. The meticulous detailing of the epaulettes and buttons draws the eye, contrasting with the simplified rendering of the face. Editor: He seems trapped, doesn’t he? Pinned like a butterfly under glass. All those buttons, all that gold braid – a beautiful cage. I can’t help but wonder about the man inside, the one obscured by the uniform's imposing design. It is as if the garment itself wears him. Curator: One might analyze the colour palette using semiotic principles. The use of gold signifies authority and status. However, the subdued grey-blue subverts the expectation of vibrant martial tones. This visual restraint could be interpreted as an attempt to temper any association with aggressive militarism. Editor: That pale blue gives it all a ghostliness, a remove. Perhaps it’s the uniform, perhaps the slightly unsettlingly large headwear – a definite oddity, stylistically speaking. He feels like a memory, a fragment from another time—a soldier from a forgotten war, faded like the colours in the print. Curator: A pertinent reading, considering the historical context and how it reflects evolving representations of the military image within commercial visual culture. The formal presentation invites close inspection and symbolic decoding. Editor: Yes, even as a promotional image, a strange melancholy hums beneath the surface, and gives one a lingering feeling beyond just commercial appeal.

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