Antoninianus of Probus c. 277 - 282

Editor: Here we have an Antoninianus, a coin featuring Probus, held in the Harvard Art Museums. The worn texture and the square hole are quite striking. How do you interpret this object from a formalist perspective? Curator: I am particularly drawn to the geometric purity of the coin's circular form contrasted with the degradation of its surface. The patinated bronze reveals a history of use and alteration. Note how the circular design frames the bust and figure, creating a dialogue between form and representation. Editor: The contrast between geometric form and decay is fascinating. I hadn't considered the circular shape as a framing device. Curator: Indeed. The formal elements—shape, texture, and the deliberate placement of the figures—invite us to consider the artistry inherent in this functional object. It shows us how the elements of art speak for themselves. Editor: Thank you. I now see how the artistic form elevates the coin beyond its monetary value.