Untitled (Summer Night, Provincetown) c. 1935 - 1940

Harriet Keese Lanfair made this lithograph, "Untitled (Summer Night, Provincetown)," using a stone matrix. The grainy darkness of this scene is characteristic of lithography; the artist would have drawn the image on a flat stone surface with a greasy crayon, then treated it so that ink would adhere only to those drawn areas. It's a printmaking technique capable of capturing subtle tonal variations, evident in the soft glow of the streetlight. The composition is a study in contrasts: the hard geometry of the buildings, utility pole and wires versus the soft organic forms of the figures. The scene feels intimate, a snapshot of everyday life in a small town. Notice the man carrying a bucket, perhaps returning from a day's labor. The presence of labor and ordinary people is key. Lithography, as a relatively accessible printmaking medium, democratized artmaking and allowed artists like Lanfair to depict scenes of everyday life, making it available to a wider audience. This artwork invites us to consider the intersection of process, place, and the lives of ordinary people.