Ultramarine Ash -- Gray 

Editor: So, we have "Ultramarine Ash -- Gray" manufactured by James Newman. It's a pigment, and it strikes me as rather clinical, like a study in greyscale. What do you see in this presentation of pigment? Curator: Consider the gray itself. Gray often symbolizes neutrality, but here, it's contained, almost archived. Does the act of isolating and labeling a color change its inherent meaning, turning it into a symbol of something more studied and less felt? Editor: That's a compelling thought. It makes me wonder about the historical weight of color and how we perceive it today. Thanks for the insight. Curator: My pleasure.