The Piazzetta, Venice c. 1904

Editor: This watercolor is John Singer Sargent’s "The Piazzetta, Venice." I’m drawn to how he captures the light reflecting off the water. What can you tell me about his technique and its effect here? Curator: Note how Sargent uses broad, fluid washes to define form, juxtaposing the solidity of the architecture with the transient nature of water. The gondolas, rendered with swift strokes, become almost abstract shapes. Editor: So the forms aren't precise, but suggestive? Curator: Precisely. The composition prioritizes the interplay of light, color, and form over detailed representation. It evokes a sense of immediacy and atmosphere. Editor: I see it now; thank you for drawing my attention to Sargent’s artistic choices! Curator: My pleasure. It is the masterful handling of watercolor that truly defines this work.