Farao's Dochter Vindt Mozes in Het Biezen Mandje. by Ferdinand Bol

Farao's Dochter Vindt Mozes in Het Biezen Mandje. 1669

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oil-paint

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baroque

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dutch-golden-age

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oil-paint

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landscape

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figuration

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oil painting

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underpainting

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mythology

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history-painting

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nude

Ferdinand Bol captured the moment Pharaoh’s daughter discovers Moses in the bulrushes in this painting. The act of finding a child adrift in water carries profound symbolism. We see echoes of this motif throughout history, from the myth of Romulus and Remus, suckled by a wolf after being abandoned on the river Tiber, to countless other stories of foundlings destined for greatness. It speaks to a universal narrative: the perilous journey, the hope for salvation, and the intervention of fate. The water becomes a symbol of both danger and purification. Consider how the emotional weight of abandonment and rescue resonates across cultures. The image of a vulnerable infant elicits a deep, subconscious response, triggering our innate sense of compassion and protection. This is how art engages us, not just visually, but on a primal, emotional level. The non-linear, cyclical progression of these symbols constantly resurfaces, evolves, and takes on new meanings in different historical contexts.

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