Collage van miniatuurportretten van Elis Sandelin in diverse rollen by Carl Johan Dahlquist

Collage van miniatuurportretten van Elis Sandelin in diverse rollen 1875 - 1907

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collage, photography, albumen-print

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portrait

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collage

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photography

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albumen-print

Dimensions height 170 mm, width 109 mm

Editor: Here we have "Collage van miniatuurportretten van Elis Sandelin in diverse rollen" created between 1875 and 1907. It's a collage made up of albumen-print photographs. It’s quite striking to see one individual portrayed in so many different roles. What historical or cultural narratives do you think are at play here? Curator: This is fascinating because it shows the constructed nature of identity, something photography was increasingly used for at this time. These images, staged and carefully presented, speak to the performative aspects of social roles. Consider the power dynamics inherent in visual representation during the late 19th century; who had access to commissioning such a piece, and what does it tell us about Elis Sandelin's aspirations or social standing? Was this an actor showing his range, or perhaps a commentary on the multifaceted nature of the bourgeois man? Editor: I hadn’t considered the socio-economic element. So the question of who gets to create and control their image is critical. It’s also interesting how the photos all have different backdrops which appear painted! Curator: Precisely. These backdrops reinforce that constructed reality, don't they? It makes you question how authenticity was perceived or presented in the era of early photography. Could Sandelin also have used the portrait gallery for business cards? And what power did Dahlquist yield by curating this character gallery? Editor: That's an insightful observation. The piece, therefore, acts as both an individual portrait and as a statement about social identity during the period. Curator: Indeed. It showcases how art, even in seemingly straightforward portraits, actively shapes and reflects societal values. We can only imagine its effects at that time, without the bombardment of similar imagery. Editor: Thank you! Thinking about the audience helps clarify its significance. Curator: My pleasure. Keep thinking critically about the forces behind image-making.

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