Vajda Lajos Fiala Ház 1936 

In this drypoint from 1936, Vajda Lajos presents us with the Fiala House using a stark palette of blacks and grays. The composition is striking: sharply defined lines articulate the architectural forms, distilling them into geometric components, evoking a sense of austere simplicity. Vajda's structured approach mirrors the principles of structuralism, where underlying systems shape what we see. The house is more than just a building; it is part of a language of forms. The precise lines and geometric shapes, while representational, hint at a deeper symbolic order. The lack of ornamentation pushes the structure to the forefront, where the interplay of lines creates a network of relationships that invite decoding. The use of minimalist forms prompts a re-evaluation of spatial and representational conventions, inviting us to see beyond the surface and engage with the conceptual frameworks underlying the artwork.