Plate 32: Six Moths by Joris Hoefnagel

Plate 32: Six Moths c. 1575 - 1580

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drawing, coloured-pencil, watercolor

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drawing

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coloured-pencil

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water colours

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mannerism

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watercolor

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coloured pencil

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watercolor

Dimensions page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.)

Editor: Here we have Joris Hoefnagel's "Plate 32: Six Moths," dating from around 1575 to 1580. It’s a watercolour and coloured pencil drawing of… well, six moths! I’m immediately struck by how delicately rendered they are, almost like jewels displayed on a pale surface. What draws your eye when you look at this piece? Curator: Oh, "jewels" is such a perfect way to put it! Hoefnagel really had a knack for elevating these humble creatures. What strikes me is the tension between scientific observation and pure artistic delight. He captures the intricate patterns on their wings with incredible precision, yet arranges them within this perfect oval, this sort of golden frame that feels utterly artificial. It makes me wonder: is this about understanding nature, or celebrating its beauty in a way that nature itself might not even recognise? It’s all artifice, darling. What do you make of the almost…clinical presentation? Editor: That's fascinating – the artificiality hadn’t really struck me. It’s like he's pinning them for display, but without the pins! It makes me think of the early scientific catalogues. Perhaps they're less creatures, and more specimens. But then why give them such lovely colours? Curator: Precisely! This tension is what makes it so engaging. Hoefnagel lived in a time obsessed with both scientific discovery and elaborate symbolism. He's playing with that boundary, using meticulous detail to almost… mythologise these little night fliers. It’s not just about documenting what exists, but transforming it, perhaps. These little insects, seemingly trapped within the golden confines of the picture, might simply be moths caught at home, at night, in the sweep of a light. Editor: I never considered the symbolism! Curator: Yes. And aren't the greatest discoveries just accidents of seeing? Editor: Absolutely. I’ll certainly think about that interplay of science and art the next time I see it. Curator: Splendid. Perhaps next time, darling, we might bring in a flame. See who it attracts.

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