print, engraving
neoclacissism
old engraving style
pen work
cityscape
history-painting
engraving
Dimensions: height 96 mm, width 112 mm
Copyright: Rijks Museum: Open Domain
Curator: I'm drawn to the incredible detail in this engraving by Cornelis Brouwer, created between 1787 and 1792. It's titled "Intocht van de Hollandse Gardes te Amsterdam, 1787", and commemorates the entry of the Dutch Guards into Amsterdam. Editor: What immediately strikes me is the energy – a raw, joyful chaos caught in this tiny frame. You can almost hear the shouts of the crowd and the clatter of hooves, even though it's monochrome and still. A celebration frozen in time. Curator: Indeed, it captures a specific historical moment. But it is the recurring symbols, such as the open city gate, the flags, and even the celebrating commonfolk, which underscore the idea of liberation, restoration, and legitimate order. It speaks to the cultural memory of this event and how the victors wished it to be seen. Editor: And those dancing figures in the foreground! They feel almost Breughelian, a sudden outburst of ecstatic joy right there at the edge of the grand procession. It is interesting how sometimes a grand historical moment turns into the everyday celebratory mood we have always felt when joy strikes. Curator: Absolutely. Brouwer blends the grandeur of the event with these almost comical details, hinting at a wider spectrum of experience. Even the choice of a printed engraving suggests a deliberate intent to widely disseminate the message and visual. The printing method makes this art accessible, public and readily visible in everyday spaces. Editor: Which also allows a certain democratization of the historical event being portrayed. I wonder how conscious Brouwer was of that duality? Showing an organized, official procession next to the utterly disorganized outburst of joy... that's some clever pen work. Curator: The power of symbols working on different levels...Brouwer likely understood that. We find this across cultures when portraying historical events; even if it seems like an accurate report, there will always be political and symbolic language, intentional or otherwise. Editor: Looking at this today reminds us that even seemingly straightforward depictions of events can be carefully crafted narratives. Thanks for illuminating those layers for me! Curator: And for showing us how much unspoken stories there are for our subconscious minds to see, appreciate and analyze!
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