Brief aan jonkheer Hendrik Teding van Berkhout (1879-1969) by Jo van Oosten Slingeland

Brief aan jonkheer Hendrik Teding van Berkhout (1879-1969) Possibly 1932 - 1939

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drawing, paper, ink, pen

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drawing

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hand-lettering

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dutch-golden-age

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hand drawn type

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hand lettering

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paper

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personal sketchbook

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ink

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hand-drawn typeface

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ink drawing experimentation

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pen-ink sketch

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pen work

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sketchbook drawing

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pen

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sketchbook art

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calligraphy

Editor: So, this piece is called "Brief aan jonkheer Hendrik Teding van Berkhout," which translates to "Letter to Jonkheer Hendrik Teding van Berkhout." It's attributed to Jo van Oosten Slingeland and was likely made between 1932 and 1939, using pen and ink on paper. Looking at it, I get a sense of… intimacy. It's like glimpsing a private thought. What stands out to you? Curator: You're right, there's a definite sense of the personal here. For me, this isn't just a letter; it’s a portal. Imagine Slingeland, pen in hand, the scratch of ink on paper – a symphony of the ordinary becoming extraordinary. What do you think, Editor, can you sense the hand, the breath behind those elegant strokes? Editor: Definitely, it feels very immediate and unfiltered. It’s like reading someone's diary, but presented as art. It almost feels… illicit, to be reading it! Curator: Illicit! I adore that interpretation. It invites us to become voyeurs, to piece together fragments of a life through the artist's hand. Notice the different weights of the lines, the almost frantic energy in certain areas. It’s a conversation on paper, a dance between control and surrender. Does that energy speak to you, perhaps a hint of the world just beyond the visible words? Editor: Yes, definitely, and the script becomes abstract, right? How it fills the page. So, what kind of insights can we glean from this artistic choice? Curator: It pushes the boundaries, doesn't it? Where communication blurs into pure expression. What a delicious ambiguity. Ultimately, I think Slingeland reminds us that art resides not just in grand pronouncements, but in the whispered secrets of everyday life. Wouldn’t you agree? Editor: I think that’s beautifully put. I definitely see the everyday made extraordinary here – it encourages a totally new appreciation of what "art" is. Curator: And isn’t that the most rewarding journey of all? To discover beauty where we least expect it?

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