Woman with a Cat by Paul Gauguin

Woman with a Cat c. 1900

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drawing, paper

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portrait

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drawing

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paper

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personal sketchbook

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group-portraits

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france

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symbolism

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history-painting

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post-impressionism

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monochrome

Dimensions 465 × 615 mm

Editor: This is Paul Gauguin’s “Woman with a Cat,” from around 1900. It’s a drawing on paper, held by the Art Institute of Chicago. I'm immediately struck by how Gauguin layers figures, almost like a memory being built upon itself. What's your interpretation? Curator: I see a convergence of Gauguin's recurrent themes. The woman and cat echo his fascination with the primal, perhaps reflecting a connection to pre-colonial Tahitian life, and a simultaneous projection of European ideas. Look at the gazes. What do they convey to you? Editor: There's a sense of introspection, but also observation. The woman looks into the distance, maybe the future? While those figures above are watching her... Curator: Exactly. The observers are Gauguin's artistic commentary on community versus individual. Cats have historically been perceived as symbols of independence. She seems to possess autonomy from a group of others who don't. He juxtaposes the cat's independence and the community's need for collective awareness. What could be said of her gaze and how that breaks that awareness of the communal? Editor: She's self-possessed, perhaps suggesting that inner knowledge supersedes external perception? Also I find this composition a bit unusual. The triangle fringe on top? The single flower at the bottom? Curator: The inverted triangles above? Those represent not just a frame, but are arrows, calling for action from the woman and the artist. They invoke the need for vision, courage and intent, perhaps his own self actualization? That single flower, at her heel...perhaps represents growth stemming from her choice of independence? What does this bring to mind for you in current times? Editor: It definitely resonates today with themes of autonomy and resistance, both in a social and artistic context. This deepens my understanding of his visual language and how charged an image can become with embedded symbolic gestures. Curator: Yes, precisely! The convergence of personal reflection and shared cultural narratives make it all the more profound.

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