L'Arc de Triomphe 

Editor: This is "L'Arc de Triomphe," a drawing by Théophile Alexandre Steinlen, using pencil and etching. It's a cityscape, but there's a certain melancholy to it; it's not the triumphant arch in its full glory. What's your take? Curator: That melancholic mood, I think, is key. It invites us to question the very idea of triumph, especially when considering the social landscape of Steinlen's time. He often depicted working-class Parisians, and juxtaposing that with this symbol of power raises questions. Editor: How so? Curator: The Arc de Triomphe, commissioned by Napoleon, embodies military victories. But Steinlen's choice of medium – a seemingly simple drawing – and the viewpoint from amidst the everyday rooftops of Paris democratizes it, in a way. Do you see the way the drawing style renders the monument accessible, even ordinary? Editor: I see what you mean, yes. It feels less grand and more integrated into the city. Curator: Exactly. So, instead of a straightforward celebration, it becomes a reflection on the relationship between power and the people, perhaps even hinting at the inequalities inherent in a society that glorifies war while its citizens struggle. Consider who typically benefits from these so-called triumphs, and who pays the price. Editor: It's powerful to think about the etching like that - who actually benefits and who suffers in war. I hadn’t considered that the apparent lack of grandeur *was* the point. Curator: Art can offer perspectives like this, allowing us to rethink accepted narratives. Editor: Definitely. It really challenges our understanding of monuments and their purpose. Thanks!