L'Train des Geules Noires 1907

Curator: Before us, we have "L'Train des Geules Noires," an ink drawing by Théophile Alexandre Steinlen, created around 1907. Editor: Immediately striking. There’s a weariness to the figures, and yet they seem to huddle together, sharing a common…fate almost. The dark lines and close composition adds a claustrophobic feeling. Curator: Absolutely. Steinlen was known for his commitment to depicting working-class life. This piece resonates deeply with the social and political climate of the time. These men likely represent coal miners, indicated by "Geules Noires," which roughly translates to "black mouths," referring to their faces being covered in coal dust. Editor: The image certainly carries the weight of the coal mines. The tower or spire of a distant church acts like a needle on the horizon, reminding me how hope and despair sit alongside each other. The repetitive nature of the hats that cover the miner's heads really brings forward the sense of unity and shared labour, while dehumanizing at the same time. Curator: Indeed, Steinlen’s style reflects elements of realism and symbolism. He uses stark contrasts to depict the grim realities faced by these laborers while subtly suggesting a sense of collective identity. Notice how they walk with purpose in the foreground that dissolves into abstract marks representing rough grass, toward the more distinct scene on the horizon, hinting at society and industry far removed from the miners. Editor: There's also something almost heroic about the scene despite the obvious hardships they endure. Black is of course the colour of darkness but is the mark of experience and respect too. These coal miners exude wisdom and courage. It reminds me a bit of the 'everyman' figure used often throughout art history as the subject. The inking seems deliberately coarse, evoking the gritty texture of coal. Curator: The composition is masterful for sure. Steinlen employs a kind of unflinching social commentary, aligning himself with leftist movements. Editor: So true. Seeing this really makes one ponder the true cost of progress. The darkness almost emanates outwards from their silhouettes. It reminds us that, within even the most arduous existence, glimmers of strength and togetherness can still be seen if one simply looks. Curator: Agreed. It’s a powerful testament to Steinlen's commitment to portraying the human condition, embedded within the historical narratives.