Christus verschijnt als tuinman aan Maria Magdalena (Noli me tangere) 1560 - 1600

Johann Sadeler I created this engraving, "Christ Appears as a Gardener to Mary Magdalene," sometime around the turn of the 17th century. During the late Renaissance, representations of biblical scenes were deeply intertwined with the social and cultural norms of the time, often reflecting the era's views on gender and power. Here, Mary Magdalene, a devoted follower of Christ, is depicted encountering him after his resurrection. Yet, she initially fails to recognize him, mistaking him for a gardener. This scene encapsulates themes of recognition, faith, and the shifting roles between men and women. The title, "Noli me tangere," or "Touch me not," underscores a moment of divine transcendence and separation. Consider how Mary Magdalene’s emotional journey—from grief to realization—mirrors the transformative power of faith and the complexities of human relationships within religious contexts. By exploring these themes, the engraving invites us to reflect on how historical narratives shape our understanding of identity, belief, and the enduring quest for meaning.