Untitled (cows in field) c. 1950

Editor: So, this photograph by Harry Annas, "Untitled (cows in field)," presents this striking, almost dreamlike scene. The inverted tones create this otherworldly atmosphere. How do you approach interpreting a piece like this? Curator: It feels like a memory, doesn’t it? Faded, perhaps, but the cows...they're like anchors in this swirling field of reversed light. Maybe Annas is asking us to consider what we hold onto, what images persist in our minds. What do you think he's trying to evoke with the inverted tones? Editor: I'm wondering if it’s a way of making us see the familiar in a completely new light, disrupting our expectations. The familiar cows seem alien now. Curator: Exactly! It's about transforming the mundane into something… other. A reminder that perception shapes everything.