Dimensions: 212 × 275 mm (image); 265 319 mm (sheet)
Copyright: Public Domain
Joseph Pennell made this etching, *Lincoln’s Inn Fields*, in 1903, and, wow, it’s an image built from such a beautiful and delicate network of lines. The whole thing feels almost like a memory, hazy and soft, as if Pennell was more interested in atmosphere than detail. I love the way he’s used the etching technique to create a sense of depth, drawing us back into the space of the fields. The textures he’s achieved are incredible - look at the way the light filters through the trees, it's almost like you can feel the cool air. And then there’s the building in the background, rendered with such precision, yet still somehow ethereal. Check out the scratchy mark-making in the bottom left corner; it reminds me of Cy Twombly’s nervous energy, or maybe even some of Whistler’s more tonal studies. It’s really just a reminder that art isn’t about capturing reality, but about creating a feeling, a mood, an experience.
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