Dimensions: support: 730 x 368 mm frame: 898 x 556 x 63 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Spencer Gore’s "The Gas Cooker," currently housed at the Tate, depicts a woman at her stove. The textures are so palpable, but it feels… claustrophobic. What can you tell me about this piece? Curator: Consider how Gore presents the labour. The visible brushstrokes, the emphasis on the room’s cramped materiality – red walls, the cooker itself – it shifts our gaze to the means of production within a domestic sphere. Is the work celebrating or critiquing the act of cooking in Edwardian England? Editor: That's interesting, I hadn't considered the labor aspect like that. I was too focused on the interior space itself. Thanks! Curator: Focusing on materiality gives us a fresh perspective, doesn't it?
http://www.tate.org.uk/art/artworks/gore-the-gas-cooker-t00496
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Gore was, with Walter Sickert and Harold Gilman, a member of the Camden Town Group. Following his marriage to Mollie Kerr in 1912 he moved into a first floor flat in Houghton Place, behind Mornington Crescent underground station. Here he shows Mollie in the kitchen of this flat, preparing dinner over the gas cooker. In common with many of his contemporaries, Gore sees an unremarkable interior and mundane domestic chores as subjects worthy of serious art, and invests them with a quiet intensity. Gallery label, August 2004