Dimensions: object: 310 x 706 x 530 mm
Copyright: © The estate of Leon Underwood, courtesy The Redfern Gallery, London | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Here we have Leon Underwood's "Manitu Bird", a sculpture. What strikes me is the figure's pose, almost languid, contrasting with what I assume is a mythical bird. What do you make of it? Curator: I see a compelling juxtaposition between power and vulnerability. The reclining figure, seemingly at ease, rests upon a creature embodying spiritual force. Consider the historical context; Underwood was deeply interested in non-Western art and spirituality. Do you think this interest exoticizes or engages meaningfully with indigenous beliefs? Editor: That's a good question. I hadn't thought about the ethics of representation here. Curator: Right. It makes you wonder about cultural appropriation versus appreciation in the early 20th century. These conversations are essential to unpack the narratives embedded within the art. Editor: I agree. I'll definitely carry that with me. Curator: And I have a clearer sense of the sculpture's impact. Thanks!
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After studying at the Slade School in 1919, Leon Underwood embarked on a prolific career as a sculptor, painter and print maker, producing an eclectic body of work. Throughout the late 1920s and the 1930s Underwood made sculptures with subjects drawn from Mexican, Native American and African sources. Three of these have Native American themes including, Manitu Bird and Totem to the Artist 1925-30 (Tate T00644).
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