Thomas Cary Felton (d. 1898) 1874 - 1875

Editor: Here we see a mounted photograph of Thomas Cary Felton, who died in 1898, by William Notman. It feels like a very typical portrait from the period. What can you tell me about its historical context? Curator: Well, the studio portrait was a signifier of middle-class status, made possible by innovations in photographic technology. Note the oval vignette and the inscription at the bottom; these were common studio practices. How do you think these conventions shaped perceptions of identity? Editor: That’s interesting. It suggests that identity was being commodified and standardized, doesn't it? Curator: Precisely. Photography democratized portraiture, but also imposed a certain conformity in how people presented themselves publicly. Editor: So the portrait isn’t just about Felton, but about the broader social forces at play? Curator: Exactly. And the power dynamics inherent in the act of being photographed. It really highlights the relationship between art, society, and identity. Editor: I never thought about it that way. Thanks!