Concordia 1557

Curator: Here we have "Concordia" by Hans Collaert the Elder, a small print at just about 12 by 7 centimeters, held here at the Harvard Art Museums. Editor: My first impression is one of lofty idealism, but also a strange… coldness? Is it the stark, graphic nature of the medium, maybe? Curator: Yes, it's a study in contrasts. Look at the meticulously rendered drapery, falling so elegantly around her form, yet the eagle seems almost crudely drawn in comparison. Editor: That eagle, perched so precariously… it’s like Collaert is reminding us that even the loftiest ideals are fragile, contingent. The line work itself conveys this tension. Curator: Precisely! The figure, almost bursting with classical contrapposto, gestures, seemingly inviting us to find balance with her. Yet, the stark architectural backdrop feels almost oppressive. Editor: It makes me think about the challenge of maintaining harmony, how it’s not just a natural state but something actively, consciously cultivated. Curator: It's a rather beautiful and intense little piece, once you give it the chance to speak, isn’t it? Editor: I agree, there's a quiet power in its compact form; it lingers.