Stehender Mann, die Linke vor der Brust, die Rechte rückwärts gestreckt 

Victor Müller made this standing figure study with graphite on paper. Graphite pencils were first produced in the 16th century and became widely available in the 19th, offering artists an inexpensive, easily portable and endlessly versatile material. Here, Müller uses the pencil to create a quick sketch, capturing the human form in dynamic pose. Look closely, and you'll see the artist hasn't laboured over details, but instead focused on the play of light and shadow across the figure's body. The graphite allows for delicate gradations, suggesting the texture of skin and fabric with minimal effort. The rough paper adds another layer of texture, catching the graphite in its fibres. Drawings like this were often studies for larger paintings or sculptures. By mastering the art of graphite drawing, Müller could efficiently plan and refine his compositions, making his art practice more efficient. The pencil, once a humble tool, became an instrument of artistic expression and pre-production. Ultimately, Müller’s study demonstrates how everyday materials can bridge the gap between craft and fine art.