Onder de wegwijzer speelt een dichter op zijn lier by Daniel Nikolaus Chodowiecki

Onder de wegwijzer speelt een dichter op zijn lier 1792

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drawing, print, etching, engraving

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portrait

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drawing

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narrative-art

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print

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etching

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romanticism

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genre-painting

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history-painting

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engraving

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miniature

Dimensions height 170 mm, width 102 mm

Curator: Here we have Daniel Nikolaus Chodowiecki's "Onder de wegwijzer speelt een dichter op zijn lier," an etching dating to 1792. Editor: It has a peculiar, almost theatrical quality, doesn't it? Like a stage set with meticulously arranged figures. The limited tonal range adds to this sense of artificiality, even austerity. Curator: Right. It's interesting to consider the materiality. As a print, an etching specifically, it's inherently reproducible, making it accessible to a wider audience. What sort of statements about access or value is the artist making, or perhaps even forced to consider when making work meant to be consumed via this method? Editor: Precisely! Printmaking during this period really democratized imagery, facilitating the spread of ideas and narratives across social strata. Chodowiecki was keenly aware of this public role, often using his art to comment on societal norms. And let's not overlook the choice of subject: a poet, representing the power of art, underneath a directional marker… almost guiding the people, perhaps literally so! Curator: Good point! And what are we to make of the diverse range of individuals assembled around the poet? Notice the varied professions and social standings reflected in their clothing. There’s even what appears to be a friar among them, which means we're witnessing a representation of broader societal constructs brought together and shaped through distribution strategies and accessible creation practices. Editor: Yes, it speaks to the intended audience for these prints. He’s composing for and, more crucially, *of* the common classes—bringing various individuals together in one public space. How interesting. What does the materiality of readily available paper allow to grow that traditional higher artwork never could? Curator: Something to chew on indeed. In all, "Onder de wegwijzer speelt een dichter op zijn lier," raises complex questions regarding production, audience and societal structures. Editor: A modest sized piece, but dense with social observation and reflections on artistic influence. Fascinating!

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