Zes portretten van afgestudeerde studenten van Yale University by Anonymous

Zes portretten van afgestudeerde studenten van Yale University 1895

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photography, gelatin-silver-print

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portrait

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photography

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portrait reference

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framed image

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group-portraits

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gelatin-silver-print

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portrait drawing

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academic-art

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portrait art

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fine art portrait

Dimensions height 221 mm, width 270 mm

Editor: This photograph, titled "Six Portraits of Graduating Students from Yale University," captured in 1895, is a gelatin silver print that I find so striking. It presents these young men, seemingly at the cusp of their careers, with an air of restrained confidence, but there is an undeniable sense of uniformity. What story does this image tell in the context of its time? Curator: It's fascinating how photography, particularly portraiture, became intertwined with the burgeoning academic and professional classes at the end of the 19th century. Consider how institutions like Yale cultivated a specific identity, one these young men were expected to embody and project. What visual cues support the projection of power here? Editor: Well, the neat grooming, the suits, and their direct gazes. There’s an effort towards appearing respectable, which might imply a need to uphold a certain social standing associated with Yale. But also, the sameness makes me think about conformity. Curator: Precisely. Group portraits like this served not only as records, but also as affirmations of institutional power. The university and social expectations influenced how these men were presented and saw themselves. How might access to this type of photography have impacted self-representation during this era? Editor: That’s an interesting question! If only certain people could afford or were deemed worthy of portraiture, this might have contributed to an even stronger divide among social classes. These images essentially become a tool for maintaining the status quo. Curator: Exactly. Recognizing the cultural and historical function of these images can teach us about the power structures at play within society then and perhaps even now. I appreciate how you questioned the surface-level interpretation to examine it within the broader societal framework. Editor: I didn't expect a photograph to reveal such deep insights into socio-political dynamics, this has widened my appreciation of photographic history!

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