The Armies of Timur Combat the Forces of Nasir al-Din Mahmud Tughluq 1595 - 1600
painting, watercolor
water colours
narrative-art
painting
asian-art
figuration
watercolor
history-painting
miniature
watercolor
Dimensions 7 5/16 × 4 1/4 in. (18.57 × 10.8 cm) (image, recto)11 × 7 15/16 in. (27.94 × 20.16 cm) (sheet)
Bhora painted this vibrant scene of "The Armies of Timur Combat the Forces of Nasir al-Din Mahmud Tughluq" with opaque watercolor, ink, and gold on paper. Here, we are confronted with a chaotic yet meticulously rendered battle, dominated by the imposing elephants. The elephant, a symbol of power and royalty, strides through the scene. Its presence echoes ancient war elephants of antiquity. Notice how the image has a visual connection to images of Hannibal crossing the Alps; elephants have long been potent symbols of might and imperial ambition. The act of lifting stones by figures atop the hill is striking. This primal gesture— hurling objects from above—reverberates throughout history, appearing in biblical scenes of siege warfare. It taps into our primal fears and collective memories of conflict, engaging our subconscious understanding of struggle and survival. The painting is more than just a historical record, it's a window into the enduring motifs of power and conflict that shape our collective psyche.
Comments
This manuscript leaf exhibits high action, beautiful coloring, a complex composition and supremely skillful painting—qualities found in the best Mughal production. Artistic production flourished under Akbar’s reign, and books decorated with exquisite paintings such as the Zafarnama were the most prized objects in the royal treasury. They communicated his wealth and prestige and articulated a historical lineage that earned him fame and respect. This is a foundational work for the South Asian and Islamic collections and is the first addition that is known to have come from an imperial Mughal atelier.
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