Philippus van Macedonië en gevangene Demadius 1590 - 1650

Antoine Sallaert’s rendering of 'Philippus van Macedonië en gevangene Demadius' captivates with its dynamic composition and stark monochrome palette. Rendered with charcoal, the drawing presents a flurry of figures set against the backdrop of stark pyramidal structures. The artist employs agitated lines to delineate the scene. Here, the artist destabilizes traditional notions of victory and defeat. By positioning Philippus, often perceived as the victor, alongside the subjugated Demadius, Sallaert challenges viewers to reconsider established historical narratives. The artist’s choice of medium underscores the drawing’s structural elements. The visible hatching and cross-hatching reveal a semiotic structure of light and shadow. This heightens the emotive and dramatic tension between the figures. The artist uses line and form to pose questions about power, perception and representation. Sallaert’s technique suggests a complex interplay between conqueror and conquered.