photography, gelatin-silver-print
portrait
archive photography
photography
historical photography
gelatin-silver-print
modernism
Dimensions: height 138 mm, width 87 mm
Copyright: Rijks Museum: Open Domain
Curator: We are looking at a gelatin-silver print dating from around 1910 to 1920, titled "Portret van Catrien Deursma in een rok en een blouse, staand," made by Cornelius Arents. Editor: The monochromatic palette really flattens the image, and creates a sense of formal detachment. There is something quite austere and unwavering in the subject’s direct gaze. Curator: Arents plays with the tension between the detailed rendering of texture and the deliberate softening of the background. Note the crispness of the lace at the blouse’s collar and cuffs in stark contrast to the implied landscape behind her. This contrast serves to bring her into the foreground. Editor: Lace trim indeed functions as a delicate but meaningful adornment. Lace often represented refinement, status, and the embrace of feminine ideals. Catrien, as the subject, adopts some aspects of these attributes but seems determined to present herself without excessive ornament. Curator: Exactly. We observe Arent’s attention to line in her garment as well as in the architectural chair beside her. The severe verticality of the skirt countered by the curvilinear forms in the chair, with the floral or palmette shapes. This acts as a subtle visual echo of the domestic sphere, albeit one contained and controlled. Editor: The chair almost positions her. Notice that this specific symbol with these particular lines denotes civic responsibility, especially regarding public order, justice and morality. It almost feels ironic! Curator: And what does her steady gaze communicate to us? She is looking slightly up and out, her expression betrays no overt emotion. The background, the slight smile…It doesn't give up secrets easily! Editor: Perhaps it's less about withholding and more about presenting a self-assured modernity, very proper yet slightly rebellious. Ultimately, I find her enigmatic but undeniably present. Curator: The beauty in this lies within its elegant economy of means and its fascinating play between revelation and concealment. Editor: And that persistent symbolism really allows her agency to shine across the decades.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.