Warrior's Hat (Jagun) by Benin

Warrior's Hat (Jagun) c. 19th century

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fibre-art, textile

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fibre-art

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textile

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yoruba-art

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decorative-art

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identity-politics

Curator: I’m struck by the object's quiet strength—a 19th-century Warrior’s Hat, a Jagun, from the Benin culture, now residing here at the Minneapolis Institute of Art. What's your initial take on this piece? Editor: My eye is immediately drawn to the two elegant, off-white curved forms flanking the reddish body of the hat. They look almost like stylized horns or feathers, adding a symbolic...lift. Curator: Exactly. As an artifact of the Benin people, its identity as ‘warrior’s hat’ suggests more than simple headwear. We're talking about social rank, perhaps, or a very specific type of honor within their society. Editor: I think the careful geometric embroidery reinforces this sense of power and order. The warm reds and yellows might point towards themes of courage and prosperity within the Benin culture, resonating deep in cultural memory. Curator: Precisely, consider the hat's materiality—fibre art, textile construction. We're not dealing with a cheaply-made item. The decorative art style is further enhanced with the identity-politics the piece implies. Who gets to wear it and when? Editor: And consider what wearing it would communicate. Think of all the ancestral meaning imbued in this hat, made of fibers worked according to time-honored techniques. How does that heritage impact the psychology of its wearer? Curator: This prompts key questions: Who wore the Jagun and within which socio-political situations would such a piece be appropriate? I’m certain access to these symbolic artifacts created social divisions. Editor: Absolutely. To see the warrior adorned with it must have visually and psychologically reinforced the tribe's hierarchy and order. Curator: And it makes me consider our own modern understanding of symbols and clothing. Are there equivalent pieces today which bear this symbolic weight in specific subgroups or organizations? Editor: Fascinating to consider. Thinking about it from the perspective of visual legacy helps clarify both the enduring impact of cultural artifacts and their relevance today. Curator: Ultimately, it reveals how art can simultaneously participate in and reflect the complexities of societal hierarchies. Editor: A beautiful testament to the way cultures create meaning through symbols, a lasting message embroidered into every stitch.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Yorubaland in Nigeria is divided into a dozen kingdoms, one of which is Owo. The Olowo (king) or Owo would wear this headdress along with a matching jacket and skirt as his ceremonial costume. The outfit relates to the chief's military duties, and is also worn by select officials with impressive military records. The ivory feathers on either side, however, distinguish this headdress as belonging to the ruler. Made of red wool flannel and decorated with yellow and green embroidery and white glass beads, the design is meant to create the impression of the scales of a pangolin. This "armored" anteater is a powerful symbol of invincibility.

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