Bust of the Virgin 1650

Editor: This is Claude Mellan's "Bust of the Virgin." The fine lines create a really interesting texture. How do you interpret the composition? Curator: Note the striking use of a single line, varying in thickness to delineate form. The interplay of light and shadow is achieved solely through this linear modulation, creating a sculptural effect. Editor: So, the form arises purely from the line itself? Curator: Precisely. The line dictates the contours and defines the volumes, and in so doing expresses an almost tangible surface, don’t you think? Editor: Absolutely. It's like the line becomes the subject, not just the tool. I didn’t realize that. Curator: Indeed. Reflect on how Mellan subverts traditional engraving techniques by eliminating cross-hatching. A virtuoso display of artistic ingenuity.