A Violinist and a Flutist Playing Music together (The Musicians) by Julius Henricus Quinkhard

A Violinist and a Flutist Playing Music together (The Musicians) 1755

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oil-paint

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baroque

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oil-paint

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oil painting

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genre-painting

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realism

Dimensions: height 51 cm, width 41.5 cm, depth 6.2 cm

Copyright: Rijks Museum: Open Domain

Curator: Up next we have, painted around 1755, "A Violinist and a Flutist Playing Music Together" also known as "The Musicians," by Julius Henricus Quinkhard. Quinkhard, working primarily in Amsterdam, demonstrates in this oil painting a rather typical genre scene of the period. Editor: Immediately, I'm drawn in by the intimacy. There’s a quiet focus, an absorption in the music-making. It feels very…domestic, almost like eavesdropping on a private moment. The light is soft and natural. Curator: Exactly, the lighting, coupled with his deliberate choice of clothing and the instruments, certainly speaks to a cultivated bourgeoisie audience. Look at the subtle gradations in the rendering of the fabric and woodwork. The tools on display certainly project the value assigned to these skills. Editor: Yes, there's a palpable elegance, wouldn’t you say? And it’s not just about status, but about craft, the slow, steady accumulation of skill. Think of the labour involved in preparing and combining pigments for the work. The careful application, all those tiny, controlled movements with the brush…it almost mirrors the precise fingering needed for playing the instruments themselves. Curator: Indeed, but to broaden the point: we might also discuss the socio-economic factors at play that support this scene and this style. The ready availability of paints, pigments, the creation of professional spaces where artists worked and learned… these are crucial. Without this specific constellation of factors, we simply wouldn’t have these genre paintings at all. Editor: And consider the act of *listening*. To truly hear music performed live – unmediated, unplugged! -- feels like such a uniquely precious moment in contrast to our current digital immersion, does it not? This feels, oddly, rebellious. I find it deeply poignant. It reminds me that before the spectacle, there was intimacy. Curator: An intimacy cultivated by specific social and economic forces, to be certain! But an interesting, touching connection to consider, all the same. Thank you for that reflection. Editor: Thank you. Food for thought – and for the ears, too, perhaps!

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