Tarff 1931

David Young Cameron made this print, Tarff, with etching. It's all about process; you can see how the image slowly emerges with each line. Look closely, and you’ll notice how Cameron uses the texture of the paper. It interacts with the ink, creating a kind of atmosphere. The dense, dark lines on the mountainside on the right contrast with the open space of the water. It's like Cameron is using the marks to create a physical sensation, drawing you into the scene. The lines that suggest the reflections in the water seem to meander and move in a way that is reminiscent of Whistler. Ultimately, the beauty of a piece like this lies in its ambiguity; it doesn't give you all the answers, allowing you to bring your own experiences.