The Death of Procris c. 16th century

Curator: This engraving, "The Death of Procris" by Giorgio Ghisi, presents a detailed mythological scene. It feels dramatic, almost theatrical, with a clear division between light and shadow that enhances the emotional intensity. Editor: Absolutely. And in viewing its production we understand Ghisi, active around the mid-16th century, played a key role in disseminating classical and contemporary designs through prints. Curator: We can see the social context in the story itself; Procris' death, a tale of jealousy and mistaken identity, reflects anxieties about relationships and trust prevalent in Renaissance society. Editor: Note the incredibly fine lines achieved through the burin's action on the copperplate—they enabled Ghisi to create textures simulating skin, fabric, and foliage. Curator: Also the way the artwork circulates, through the networks of collectors, museums, and even in pedagogical settings, shapes our interpretation and its value. Editor: Indeed, and by understanding the printmaking process, we appreciate the labor involved, challenging the notion of the artist as solely an inspired genius. Curator: I find the enduring power of these classical narratives fascinating; they clearly resonated then, and still spark conversations today about human nature. Editor: Agreed; and hopefully viewing this artwork helps us reassess assumptions about artistic production and cultural history.