Dimensions: support: 787 x 581 mm frame: 900 x 684 x 35 mm
Copyright: © Frank Auerbach | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This is Frank Auerbach's "Head of E.O.W.", currently housed in the Tate Collections. Auerbach, born in 1931, captures a subject reduced to near abstraction. Editor: The intense layering of charcoal gives it an almost sculptural quality, as if the face is emerging from the earth itself. It’s profoundly unsettling. Curator: Indeed, the weight of material mirrors the weight of history, doesn’t it? The dark palette could echo the trauma of wartime London. Editor: Considering Auerbach's process—repeatedly building up and scraping away at the surface, this is not merely a portrait but a record of labor. Curator: The obscured features evoke the fragility and ambiguity of memory, the way faces fade and transform over time. Who is she beyond the title? Editor: It makes me think about what the intense mark-making and reworking says about the relationship between Auerbach and his subject. Curator: It leaves us contemplating the many layers of identity, both seen and unseen. Editor: Yes, and the physical effort embedded in this image speaks volumes about the act of creation itself.
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'E.O.W.' - Estella (Stella) West - began posing regularly for Auerbach in the early 1950s, and continued to do so until 1973. By then he had completed about 80 drawings and paintings of her. This drawing was made entirely from life and took almost 70 sittings. In line with his usual practice, Auerbach constantly drew, erased and reworked the image. The final image is therefore built upon numerous previous attempts. In this way the portrait is saturated with the artist's accumulated experience of the model. As a result of this long process the paper became torn and abraded and necessitated the patch visible in the drawing. Gallery label, September 2004