The Last Communion of Saint Mary of Egypt c. 1695

Sebastiano Ricci created this painting of The Last Communion of Saint Mary of Egypt with oil on canvas. The entire composition is unified by the use of light and colour, with the figures emerging from a dark background into a burst of celestial light. This contrast creates a dramatic, emotional intensity. Ricci masterfully employs the Baroque style, using dynamic diagonals, curvilinear forms, and rich colours to convey the spiritual drama of the scene. The composition is structured around the central act of communion, with all figures oriented towards it. Observe the angels above, their forms rendered in soft, swirling brushstrokes, creating a sense of ethereal movement. Their presence emphasizes the divine nature of the event. The use of light and shadow isn't just decorative, but a symbolic language. The light illuminating Saint Mary signifies divine grace. Consider the semiotics of the colours: the red and blue of the robes may symbolize divine love and faith. Ultimately, Ricci uses formal elements to construct a narrative of spiritual transformation. The painting doesn’t merely depict a religious scene, but invites us to contemplate themes of repentance and redemption.