Staande cavalier en profil, op de achtergrond een strijdtoneel met ruiters 1633 - 1665

Salomon Savery created this etching of a standing cavalier with a battle scene in the background. Notice how Savery uses dense cross-hatching to define the cavalier’s figure, creating volume and texture in his clothing, particularly the elaborate hat and boots. The stark contrast between the foreground figure and the more delicately rendered background establishes a clear spatial hierarchy. Savery destabilizes the traditional heroic portrayal of military figures. The cavalier, though richly dressed, is depicted with a somewhat stooped posture, almost as if detached from the active battle scene behind him. The battle itself, rendered in miniature, serves more as a backdrop than a focal point, questioning the glorification of war. The linear precision of the etching emphasizes the material qualities of the print. The medium serves to highlight the constructed nature of representation. The dense lines not only describe form but also draw attention to the artificiality inherent in translating three-dimensional reality into a two-dimensional image.