Sketch for ‘The Old Bridge at Cagnes’ by Andre Derain

Sketch for ‘The Old Bridge at Cagnes’ 1910

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Dimensions: support: 197 x 222 mm

Copyright: © ADAGP, Paris and DACS, London 2014 | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is Andre Derain's 'Sketch for ‘The Old Bridge at Cagnes’ held at the Tate. It looks unfinished, raw. What symbols do you see at play here? Curator: The bridge itself is a powerful symbol. Bridges often represent transitions, connections between different realms, physical and metaphorical. Notice how the bridge dominates the composition, suggesting a pathway but also a barrier. Editor: A barrier? Curator: Yes. Think about what isn't shown. What lies beyond the bridge, out of view? This evokes a sense of mystery and invites speculation. The bridge is both access and limit. Editor: That's a different perspective than I initially had. I appreciate the complexity. Curator: Indeed. And that's the beauty of art, isn't it? It reflects our individual journeys and shared cultural memory.

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tate about 1 month ago

http://www.tate.org.uk/art/artworks/derain-sketch-for-the-old-bridge-at-cagnes-t00127

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tate about 1 month ago

This drawing dates from a period in which Derain had moved away from the rich colouring of Fauvism. The angled modulation of the planes of the bridge and surrounding buildings, and the way in which this is worked across the whole surface of the drawing. reflect his new engagement with the example of Cézanne, whose work was very much in the public eye following his death in 1906. His work of this period encouraged some to see Derain, briefly, as a leading Cubist rather than recognising his interest in Cézanne. Gallery label, March 2008