Uniformen van Engelse cavalerie by S.G. Casten

Uniformen van Engelse cavalerie 1795 - 1796

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drawing, watercolor

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portrait

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drawing

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figuration

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watercolor

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coloured pencil

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romanticism

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watercolour illustration

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history-painting

Dimensions height 197 mm, width 310 mm

Curator: Looking at this striking image, we're drawn into a world of 18th-century military fashion. The piece is entitled, "Uniformen van Engelse cavalerie", dating from 1795-1796 and is a work by S.G. Casten. It appears to be executed with drawing and watercolour. What are your initial thoughts? Editor: Splendid uniforms! So ornate. There's something almost theatrical about them. They remind me of characters ready for the opening act in a regency drama. Are they heading into battle, or a costume ball? The horses seem somewhat bemused, if I’m honest. Curator: The uniforms indeed make a strong statement. This piece captures a moment when military attire was as much about projecting power and status as providing practical protection. The artist's meticulous detail is impressive, when documenting specific cavalry uniforms in late 18th-century England. Editor: I agree, the attention to detail is what elevates this. It makes me wonder about Casten. What compelled them to record these sartorial flourishes so precisely? The romanticism of it all—the bright colours, those improbable hats. Is there some critique woven into it? Curator: It's important to consider the broader social and political context of the time. This was a period of significant upheaval, with the French Revolution influencing societal structures across Europe. Depictions of military power, such as these cavalry uniforms, would have served to reinforce national identity. Editor: So, the "look at our snazzy soldiers" strategy! Clever, in a way. Art as soft power, before that was even a term. Yet there's a fragility to watercolour, isn't there? This tension between pomp and impermanence—it fascinates me. The romanticism adds a nostalgic lens to military strength, which feels incredibly potent, given the era. Curator: Precisely. It's an era caught between tradition and change, pageantry and revolution. Looking closely at Casten's work offers unique insight into how art operates as a visual and ideological agent. Editor: Absolutely. To see these almost ghostly cavalry officers ride into view with such precise beauty offers such a unique look back through time and cultural attitudes. A lovely little painting that sparks some bigger reflections, right?

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