drawing, pencil
drawing
baroque
figuration
pencil
history-painting
Dimensions 245 mm (height) x 374 mm (width) (bladmaal)
Francesco Solimena created this drawing, King Solomon and the Queen of Sheba, using graphite on paper. The composition is dominated by a flurry of figures sketched with rapid, energetic lines, creating a sense of movement and dynamism. The light and shadow are suggested through hatching and cross-hatching, adding depth to the scene. Solimena masterfully orchestrates the interplay between structure and fluidity. The architectural backdrop, with its arches and elevated platform, provides a structured framework, while the figures introduce a sense of liveliness. This deliberate contrast invites us to think about the relationship between power, represented by the architecture, and humanity, embodied by the figures within it. The sketch format underscores the inherent instability of meaning, presenting the scene not as a fixed narrative but as a moment of ongoing construction and interpretation. It is this openness that imbues the work with its enduring appeal.
Comments
The back of the work provides us with important information about the provenance of the drawing. At the bottom are the words ”Collection de Solimene” written by the Danish art collector Johan Conrad Spengler (1767-1839) after he acquired the work at some point after 1820. On the back there are sketches of figures and architectural details with a fish and seal at the top. These animals are different in style to the other drawings, and made using a different technique by an artist other than Solimena, presumably someone from his atelier. At the bottom right the price is given as ”g’ 45”, i.e. 45 grana, the coinage of Naples. This tells us that the drawing was sold in the city, probably in the 1790s. The dark spots along the left and right edges are the droppings of bedbugs from a bedbug epidemic in Naples from 1720-30, indicating that the drawing was in the city during that time.
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