Goblet c. 1936

Editor: Here we have "Goblet," a watercolor and pencil drawing created around 1936 by Janet Riza. What immediately strikes me is how delicately the artist captured the light playing across the glass. What stands out to you as you view it? Curator: The goblet, a vessel, is almost universally a symbol of both containment and potential, isn’t it? Holding water, wine…even poison. Editor: Yes, definitely! It seems so simple, yet charged. Curator: Indeed! Its shape - the curve, the stem - suggests both femininity and uprightness. In many cultures, the goblet features prominently in rituals – think communion or ceremonial toasts. Look at the interior lines of the cup and they begin to mimic figures standing, in fellowship. Do you think it reflects that social importance? Editor: It really might. It almost feels like it's less about the glass itself, and more about what it represents; it's elevated and refined. But I don't immediately get the fellowship. Curator: Perhaps fellowship is the wrong word, and simply togetherness might be more apt, it has associations with both sacred and secular ceremonies. This piece freezes time and allows us to ponder connections – to the past, to our communities, and to ourselves. And that seems especially important considering when it was made, at a moment of political turmoil in Europe and not too long after The Great Depression. It gives a symbol of luxury a real presence and heft. What a lovely subversion of the traditional still-life! Editor: Wow, I never considered the context. I see the goblet differently now – not just as an object, but as a silent witness. Thank you for expanding my understanding! Curator: And thank you for your fresh eyes and willingness to question. It is what keeps these cultural symbols and memories alive.