Portret van Anne Marie Martinozzi, prinses van Conti 1633 - 1673

This is Coenraet Waumans's rendering of Anne Marie Martinozzi, Princess of Conti, made with etching. Notice first how the fine, dense lines create an almost palpable sense of texture across the surface. The formal structure presents a study in contrasts: the rigid geometry of the frame against the fluid, almost chaotic rendering of the Princess’s hair. Semiotically, the frame signifies order, while the hair suggests a more untamed, natural essence. Her gaze, direct and slightly challenging, undermines the passivity expected of portraiture at the time. Waumans employs a semiotic system that elevates Martinozzi beyond mere aristocratic representation. The texture of the etching adds a layer of complexity. Through formal means, the artist hints at a subversion of traditional roles, turning the portrait into a statement about individuality. It invites ongoing dialogue and diverse interpretations.