Portret van Jean Henri Latude wijzend naar de Bastille op de achtergrond, een touwladder onder zijn linkerhand by Antoine Vestier

Portret van Jean Henri Latude wijzend naar de Bastille op de achtergrond, een touwladder onder zijn linkerhand 1750 - 1824

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paper, engraving

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portrait

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neoclacissism

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paper

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history-painting

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engraving

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realism

Dimensions height 360 mm, width 250 mm

Curator: Vestier’s portrait of Jean Henri Latude from 1750-1824, rendered in engraving, strikes me with its dramatic intensity. Editor: Yes, there's something inherently unsettling about it. The tonal range is quite stark. It highlights the drama of the figure. Curator: It's more than mere drama. The imagery around Latude tells a deeper tale, as it alludes to Latude’s imprisonment in the Bastille. Consider how his posture and pointing gesture guide us. Editor: Formally, his gesture directs our eye to the tower in the background, yes, but the composition also frames him as the primary subject. Curator: Absolutely! The engraving exists not only as a likeness, but also as a record, commemorating his triumph over injustice, shaping his heroic narrative for the masses. Notice the meticulously rendered tools beside him that underscore his determination to escape. It almost mythologizes his story. Editor: There’s such striking textural contrast – from the soft fabric of his coat to the rough texture implied on the tower facade. Curator: That’s Vestier, meticulously using the engraving process to enhance the visual and emotional weight of his subject’s experience and its association to the French Revolution. Remember, engravings at the time served as a way for stories to spread amongst a populace that had little other visual aids to know their world by. Editor: True, it is the sharp precision that helps translate the tension to us so vividly. But is the focus then entirely narrative? Curator: Far from it, although that’s certainly dominant. By showing Latude's defiance, Vestier critiques the very foundations of the old regime, amplifying the call for liberty and reform. This work makes you question what kind of imagery or information a regime allows in the public eye. Editor: You've certainly provided an incisive account of how this work's place in its historical context affects its meaning. Curator: And you, how the elements in this engraving underscore it's story.

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