Cyril Smith 

John Bratby's portrait of Cyril Smith is executed with thick impasto. The visible brushstrokes reveal the artist's hand, creating a textured surface that almost feels tactile. Bratby’s technique is visceral, the paint applied with such intensity it seems as if he is sculpting with pigment. The colors, although somewhat representational, are heightened and exaggerated, contributing to the painting's raw emotional energy. The weight and density of the paint lend a physical presence to the artwork. Bratby’s engagement with the material of paint isn't just about representation, it’s about process. The portrait is an artifact of its making, imbued with the artist's labor and the physicality of his actions. Bratby's focus was on expression and experience, rather than adhering to traditional standards of ‘high art’ technique. Understanding the material qualities and the making process allows us to appreciate Bratby's work beyond its subject matter, challenging our conventional understanding of art.