Melon by Alexander Roitburd

Melon 2010

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oil-paint, impasto

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gouache

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oil-paint

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oil painting

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impasto

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acrylic on canvas

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fruit

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underpainting

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plant

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painting painterly

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realism

Copyright: Alexander Roitburd,Fair Use

Curator: Here we have "Melon," an oil painting from 2010 by Alexander Roitburd. Editor: My first thought? It's almost unsettlingly tactile! All those tiny, scratchy lines...makes me want to reach out, but I also feel like it might be a little prickly. Curator: The texture is quite striking, isn't it? You’re right. Roitburd really emphasizes the surface quality, building up the paint in what appears to be impasto layers to give the melon skin a almost tangible dimension. The scratches feel like age lines etched on the melon’s surface. It evokes symbols of summer, of bounty, and also mortality. Editor: Mortality? Wow, that's quite a leap! I was stuck on the summery vibes. The colours alone—that sun-baked yellow fading into shades of deeper green– I see hints of those Dutch still lifes. A reminder to seize the season. Curator: Well, think about it. Fruit is, by its very nature, ephemeral. The luscious ripeness quickly turns, reminding us of decay and time's relentless march. Fruit has been used symbolically across history and in art. Think of Eve offering the apple. Editor: True, true. Maybe it's also that intense focus on the single melon. There's nothing else to distract you – it becomes almost… monumental. It's a testament to his meticulous attention to detail. He wants us to focus on its details and remember what the experience of melons were like. He’s not shy to remind you he worked on it to bring it to us as is. Curator: Precisely. And in doing so, Roitburd invites us to slow down and really contemplate something seemingly simple. The artist invites us to consider its weight, its story, its essence as something both abundant and passing. It’s an examination into themes like fertility and regeneration as symbols across many cultures. Editor: So, not just a melon then? He's transformed the ordinary into something charged with meaning. I like it; he made the painting of fruit almost profound. Curator: Yes. Food as Vanitas and summer as life, captured. It’s a conversation starter, definitely, challenging our perceptions of value and significance.

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