To store sejlskibe med flag by Reinier Nooms

To store sejlskibe med flag 1652

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print, etching

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baroque

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dutch-golden-age

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print

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etching

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landscape

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history-painting

Dimensions: 120 mm (height) x 208 mm (width) (plademaal)

Curator: Reinier Nooms, also known as Zeeman, created this etching titled "To store sejlskibe med flag" in 1652. Look closely at the level of detail achieved using only etching. What's your immediate reaction? Editor: Vastness, I think. And a kind of solitary feeling. The ocean's texture makes me feel seasick just looking at it, and the ships, despite their grandeur, seem so small against that turbulent water and sky. It’s humbling. Curator: The artist, Zeeman, was known for his marine paintings and etchings, reflecting the maritime power of the Dutch Golden Age. The work captures the importance of naval strength to Dutch identity and trade. It isn't just a pretty picture, it is a national declaration! Editor: It makes me wonder about the sailors on those ships. What were they thinking, feeling, looking out at this scene? Were they anxious about the journey or simply bored? Did they recognize their place in this political moment? Because it must have felt like being part of something important... something historical, even then. The flags flying high above the boat might suggest victory in previous battles or perhaps mark these vessels as important participants in the war. Curator: These ships served not just as trade vessels, but were heavily armed and played crucial roles in naval battles. Also, let’s not forget the commercial rivalries of the period, the tension and struggles embedded in maritime power at the time. Editor: Yes! This wasn't a peaceful pleasure cruise. It was a show of power. I keep returning to the materiality –the stark lines of the etching somehow capture the tension between the serene open water and the constant threat and instability the ship would need to face! There's an odd beauty in that juxtaposition. It brings this grand historical moment down to a very human level, too, doesn't it? It feels deeply connected to nature and history and the sea at the same time! Curator: Absolutely. Zeeman used the etching technique masterfully to evoke the spirit of maritime exploration and power in that era. He definitely knew how to make waves, literally and figuratively. Editor: Well, I think the waves are still rippling for me, in how they make the grand sweep of history feel unexpectedly personal.

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