Portrait of P. Boursoufle by Guillaume Thiemet

Portrait of P. Boursoufle 1740 - 1780

drawing, print, metal, pen, engraving

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portrait

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drawing

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print

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metal

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pencil sketch

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pencil drawing

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men

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pen

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portrait drawing

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engraving

Curator: Guillaume Thiemet’s "Portrait of P. Boursoufle," dating roughly from 1740 to 1780. This engraving, rendered with pen, pencil, and metal, is now housed here at the Metropolitan Museum of Art. Editor: My first thought? Irritation, pure and simple. Look at the intensity of that furrowed brow! It’s like he’s eternally judging my art choices, one withering stare at a time. I love it. Curator: Indeed. Note the masterful control of line weight—thin, precise strokes define the contours of the face, while denser hatching models the forms, giving a palpable sense of volume. The light appears carefully modulated across the planes. Editor: It's almost sculptural, isn't it? And yet there's this vulnerability in the way the fabric is draped; almost like a shroud. Do you think Boursoufle was a difficult sitter? Perhaps Thiemet captured something he wasn't intending to. Curator: The composition favors a stark simplicity, isolating the figure against a neutral ground. This directs the viewer’s gaze, intensifying the encounter with the sitter's physiognomy and allowing us to focus solely on the expressiveness inherent within his face. Editor: Expressiveness being his apparent disapproval of… everything? I’m kidding. But the piece really invites conjecture. What was Boursoufle about? Was he really just a perpetually grumpy dude, or was there something more complex lurking beneath the surface? You get that kind of feeling. It's powerful. Curator: Through the strategic employment of chiaroscuro, the artist constructs not just a likeness but an interrogation of character, prompting us to contemplate the psychology of the portrayed individual, albeit from the artist's perspective, presented through graphic means. Editor: Well, regardless of Boursoufle's actual temperament, Thiemet immortalized a face that’s definitely got something to say – even if that something is just a perpetually skeptical “Hmmph!” It makes you wonder. Curator: A valuable opportunity to observe how lines and shading in skillful hands can distill complexities of human presence.

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