Library in the House of da Silva (set design for Uriel Acosta) 1922

Nathan Altman’s “Library in the House of da Silva (set design for Uriel Acosta)” is a striking example of geometric abstraction in set design. Painted in 1922, this work embodies the bold and stark forms that became synonymous with the era. The composition, featuring a series of intersecting planes and angular lines, creates a sense of depth and tension. The use of muted tones in grays, browns, and blacks further emphasizes the minimalist design, drawing the viewer's eye to the interplay of light and shadow. The intricate details within the set, such as the textured surface of the window pane, add a layer of visual interest to this otherwise austere composition.