Visit to Kanda Myōjin, with poems by Hirakataan Hayaki, Mitsugian,and two associates Edo period,

Curator: Look at this print, "Visit to Kanda Myōjin, with poems," by Hokusai. I'm drawn to its almost dreamlike quality. Editor: Yes, a hazy impression. The composition is divided, isn't it? The left side, a garden; the right, figures approaching the shrine. Curator: The poems scattered across the top feel like whispers, adding to the sense of fleeting moments. It's as if Hokusai captured not just a scene, but a feeling. Editor: Precisely. The torii gate acts as a threshold, both physically and metaphorically, separating everyday life from the sacred space beyond. Curator: It makes you consider the transient nature of such gatherings... the impermanence of beauty and devotion. Editor: Indeed. Through line and form, Hokusai explores the interplay between the secular and the divine, capturing the essence of human pilgrimage.