print, woodcut
art-deco
ink paper printed
old engraving style
landscape
figuration
woodcut
Dimensions height 540 mm, width 415 mm
Curator: This woodcut, created by Bernard Essers in 1930, is entitled "Kust bij Saint-Raphaël," or "Coast near Saint-Raphaël." The scene is rendered in stark black and white, which gives it an intense visual impact. What’s your first impression? Editor: It’s remarkably striking, with this sense of being intensely observed yet serene. The high contrast evokes a mood that is simultaneously bracing and calm. It's an unusual synthesis. Curator: The bold contrasts remind me of propaganda posters. Notice how Essers uses stylized representations of nature - the almost comical puffed-up clouds or simplified spiky agaves in the foreground - to potentially amplify certain ideas, maybe even patriotic ideals tied to landscape. Editor: I'm intrigued by how the stark black and white defines the composition. The layering of forms—the clouds, trees, the water—it creates a palpable depth that would likely flatten in color. Also, did you notice how many verticals Essers employs—the two large floral stalks and the central tree trunk serve to further punctuate space into planes? Curator: Good point. Those vertical forms remind us of a primal connection between Earth and sky, linking the earthly plane with something divine and permanent. And consider the fishermen as characters. Their stillness brings a spiritual and cultural dimension to this seascape. Fishing as livelihood, recreation, contemplation... Editor: It’s like each character plays an important compositional role, giving the viewer a pause to ponder different thematic avenues—leisure, labor, reflection. Ultimately, I think this woodcut captures a specific sense of interwar-period contemplation amid simple recreation. Curator: This analysis definitely helps frame our understanding of what the landscape signifies beyond mere visual representation! It opens many interpretations beyond what we perceive. Editor: Absolutely, thinking about his manipulation of form against that cultural backdrop heightens the evocative power this striking artwork clearly carries.
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