Untitled 1956

Stanley Boxer created this untitled artwork with oil paint. At first glance, the composition seems like a mosaic of earth tones punctuated by strokes of orange, green and purple, but there is an underlying order in its application. Boxer's brushwork is tactile, lending a tangible quality to the artwork. The painting operates within a semiotic structure, where each color acts as a signifier of a potential concept or emotion. The textural impasto becomes a key component of the artwork's language. It is not merely representational; it destabilizes our understanding of surface and depth. By engaging with materiality, Boxer challenges the traditional hierarchy between form and content. The vibrant hues are juxtaposed with muted tones, creating a visual tension that hints at a deeper conversation about perception and representation. Ultimately, this piece does not offer a fixed meaning; instead, it invites us to engage in a continuous process of interpretation.